Bacon at the AGO

Yesterday was the members preview at the AGO for the BaconMoore exhibit.

It also happened to be the day that Ali and I decided to go to the AGO.

Yes indeed, the day we go to the AGO is the day that bacon is prevalent. How fitting is that?

"Although they were neither friends nor collaborators, painter Francis Bacon (1909-1992) and sculptor Henry Moore (1898-1986) were contemporaries who shared an obsession with expressing themes of suffering, struggle and survival in relation to the human body. Both artists survived the Second World War and were subsequently haunted by the conflict, which they represented through manifestations of the body in various states of contortion. Drawing on the artists’ own personal experiences during the London Blitz, the exhibition examines how confinement and angst fostered their extraordinary creativity and unique visions."

Francis Bacon

Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his bold, graphic and emotionally raw imagery. His painterly but abstracted figures typically appear isolated in glass or steel geometrical cages set against flat, nondescript backgrounds. Bacon began painting during his early 20s and worked only sporadically until his mid-30s. Unsure of his ability as a painter, he drifted and earned his living as an interior decorator and designer of furniture and rugs. Later, he admitted that his career was delayed because he had spent too long looking for a subject that would sustain his interest. His breakthrough came with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion which sealed his reputation as a uniquely bleak chronicler of the human condition.

He often said in interviews that he saw images "in series", and his artistic output typically focused on a single subject or format for sustained periods. His output can be crudely drawn as consisting of sequences or variations on a single motif; beginning with the 1940s male heads isolated in rooms, the early 1950s screaming popes, and mid to late 1950s animals and lone figures suspended in geometric structures. These were followed by his early 1960s modern variations of the crucifixion in the triptych format. From the mid-1960s to early 1970s, Bacon mainly produced strikingly compassionate portraits of friends, either as single or triptych panels. Following the 1971 suicide of his lover George Dyer, his art became more personal, inward looking and preoccupied with themes and motifs of death. The climax of this period came with his 1982 "Study for Self-Portrait", and his late masterpiece Study for a Self Portrait -Triptych, 1985-86. Despite his bleak existentialist outlook, solidified in the public mind through his articulate and vivid set of interviews with David Sylvester, Bacon in person was a bon vivant and notably and unapologetically gay. A prolific artist, he nonetheless spent many of the evenings of his middle age eating, drinking and gambling in London's Soho with friends such as Lucian Freud, John Deakin, Muriel Belcher, Henrietta Moraes, Daniel Farson and Jeffrey Bernard. After Dyer's suicide he largely distanced himself from this circle, and while his social life was still active and his passion for gambling continued, he settled into a platonic relationship with his eventual heir, John Edwards.

Head I

Crucifixion (1933)

Head VI

During his lifetime, Bacon was equally reviled and acclaimed. Margaret Thatcher described him as "that man who paints those dreadful pictures", and he was the subject of two Tate retrospectives and a major showing in 1971 at the Grand Palais in Paris. Since his death, his reputation and market value has steadily grown. In the late 1990s a number of major works previously assumed to have been destroyed, including popes from the early 1950s and portraits from the 1960s, surfaced on the art market and set record prices at auction. On 12 November 2013 his painting Three Studies of Lucian Freud set the record as the most expensive piece of art ever auctioned, selling for $142,405,000.

Henry Moore

Henry Spencer Moore OM CH FBA RBS (30 July 1898 – 31 August 1986) was an English sculptor and artist. He was best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art.

His forms are usually abstractions of the human figure, typically depicting mother-and-child or reclining figures. Moore's works are usually suggestive of the female body, apart from a phase in the 1950s when he sculpted family groups. His forms are generally pierced or contain hollow spaces. Many interpreters liken the undulating form of his reclining figures to the landscape and hills of his birthplace, Yorkshire.

Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom. His ability in later life to fulfill large-scale commissions made him exceptionally wealthy. Yet he lived frugally and most of the money he earned went towards endowing the Henry Moore Foundation, which continues to support education and promotion of the arts.

Reclining Connected Forms

And yes, the above sculpture should look familiar to you as there is another sitting in front of our City Hall.

"Henry Moore has always been an important artist for the city of Toronto. In 1958, Finnish architect Viljo Revell won an international competition to design Toronto's City Hall. Revell admired the work of Moore and recommended that the city purchase one of his bronze sculptures for the new building. A controversy over cost erupted, and the sculpture, The Archer, became the most talked about work of art in the history of the city."
I know that Ali would agree with me when I say that the exhibit will not be forgotten. It was meant to disturb, and that it did.
I am glad that I had the opportunity to experience it with my daughter.